
This seems particularly apropos to write after writing about the teachers' march I saw this afternoon (I wrote this part ages ago and is the only section the internets didn't eat, I'm still bitter). Unlike what many Americans think, the 5th of May (Cinco de Mayo) is not the Mexican independence day (it's the memorial of a battle in Puebla in which the Mexicans defeated the French... only to be overcome the next week at the same place). Rather Sept 15/16th is the Independence day (starting at midnight/ 11pm on the 15th) and the entirety of September is "el mes de la patria" (the month of the homeland) during which it seems that almost every building downtown is covered in red, green and white bunting and the Zocalo is lit with red, green and white little lights... and of course, for the first half of the month, mobile venders like the one above were ubiquitous on almost every corner downtown... in a sort of carnivalesque display of nationalism and consumerism. After the 17th a lot of this died down, but the bunting stayed up and the front of the Cathedral now boasts a giant slick countdown clock to 2010, the 200th anniversary of Mexican independence. It’s ironic that we are coming up on the 80th anniversary (depending on how you measure) of the Mexican revolution (in my mind a more interesting and important date for the contemporary State) and little has been made of it except for a 4 day weekend (which I am taking advantage of by heading to the beach).
On the night of the 15th I joined my friends J and M and their assorted 4 children to head down to the Zocalo for the grito, the ceremonial shout that reproduces Hidalgo’s famous “Viva Nuestra Senora de Guadalupe!” that served as the battle cry against Spanish colonialism. The most famous happens in Mexico City where the president ceremonially rings the national palace bells (a sort of Mexican version of Paul Revere’s “the red coats are coming”) and then leads a series of cries “Viva Mexico, Viva Hidalgo, Viva Guadalupe, Viva…..” honoring both revolutionary and contemporary heroes and creating a narrative of struggle for el patria. I think that every town has some version of the grito, led by a legislative or symbolic leader and customized to the struggles and heroes of the local place—linking communities to the Nation while still urging participation in a greater whole. And the grito has been a site in which to demonstrate competing claims to representation, as Obrador has led a competing grito across the zocalo from Calderon since 2006 as has the APPO here in Oaxaca.As with most things here in Oaxaca, the details of the grito was something that you just sort of had to “know.” As my friends and I asked all the people we could find and were given multiple answers about what was happening and when, we headed down to the zocalo area to see what we could find out and encountered a wall of happenings in the Alameda,
a new altar to the nation for the next days’ ceremonial rising of the flag by the army,
opportunities for the kids to get decked out in their patriotic best (although I’ve never never never seen anyone wearing a sombrero unironically here, they’re all the rage to demonstrate a supposed Mexican authenticity),
and firefighters and various forms of police at the ready.The Zocalo itself first appeared to be packed with two giant stages set up between the Zocalo and Alameda, with Mexican rockbands performing, although the acoustics were such that I have no idea what they were playing. And so I didn’t feel like I was all that far from home, the Zocalo was set up with a double row of metal police barricades and I saw snipers on nearby roofs (illustrating that the social calm is still fragile especially where the governor’s concerned). Although when I asked nicely, a policewoman let me through a blocked opening, she refused the others but did not protest when we handed the kids across. And once we entered the Zocalo proper, there was plenty of space.
And then there we were somewhat caged in a space where nothing was going on, people were just waiting….. It was all of our first gritos even though M has lived in Oaxaca for 7 years and we saw that people were selling cans of spray foam and kids were already chasing each other with them. So we bought a couple cans for the kids to share, spawning a long foam fight where the kids made up for the lack of local snow… and covered me as well, luckily it quickly brushed off. Meanwhile, people around us gave us the dirtiest looks. M, J and I were definitely confused as to the proper doing of the grito and agreed that it was ironic that this was probably the least fun of any Mexican fiesta we had attended.
Finally, right about when the kids had reached a state of tired crankiness, the governor and assorted local dignitaries (I would assume from their dress and pale skin) ceremonially paraded around the Zocalo within the double barrier, cut off from the crowd in this sort of surreal parade for which people neither booed nor clapped, capped off by Miss Oaxaca and two attendants wearing coordinated red, green and white dresses. Then the Governor, flanked by his family, came out on a balcony of the municipal palace (a place no longer used as the seat of government power, which has been moved to a created ciudad administrativa, outside the city, supposedly to make it harder for people’s claims to be heard) and performed the grito.

And while I could barely (if at all) understand the specific names, I shouted Viva along with the others and was caught up in this collective performance of emotion (I got all nerdy with Durkheim, understanding collective effervesence in a new way)
The governor’s promenade had seemed to unleash a sort of taunt readiness in the crowd that was released with the grito and then unleashed with a giant explosion of sound and foam (we had obviously unintentionally done this too early).
The air was filled with raining sprays and more clued-in people pulled out their umbrellas to huddle in the midst of it all. At the bandstand there was an clearly patterned (and anticipated) warzone in which people on the bandstand showered those below them, which was rather ineffectually returned in kind. 
And then in the midst of this aural and visual chaos (to me in some ways recreating the sensual overload of the too recent conflict) explosions started on both ends of the Zocalo, a wooden castillo of fireworks on the side in front of the municipal palace
and high-flying fireworks in front of the cathedral,
. In the mist, and midst, of this J and I struggled out of the crowd with Ky between us, trying to remain untrampled by the flow of the crowd. I had the (in my mind) brilliant) idea to cut through the inside corridor of the Zocalo between the cafĂ©’s and their outside tables, but soon learned that they claim these arcaded spaces as private, rather than public spaces, blocading them off to create expensive “front row for the grito” boxes. It was more than a little terrifying as I ended up with Ky, hunching my body over his (he of course refused at that moment to be carried) and luckily still standing heads over the majority of the crowd. I looked behind me to see what was being pushed into my back and saw that the woman behind me was both clutching her baby and using its body mass to urge me forward.
We spilled out onto the neighboring streets where the all-night party was just starting. People had told me earlier that the grito starts (continues) what they called the night of tolerance, in which many of the rigid social strictures (like drinking in the street) could be flaunted openly.
J and I had made plans to go to the parade the next morning (knowing nothing, in my case, about what that entailed) and I supposed that it would be similar to all other parades I’ve seen, big monos de la calenda, brass bands, indigenously dressed dancers, and probably a mobile shrine to Guadalupe. So, it was a shock to see line after line of state police troops in full battle gear when we arrived at the Alameda—too reminiscent of all the footage I saw during the conflict.


It took me too long to realize that they were not there to contain the parade crowd, rather, they were the parade! I understand now that independence parades are demonstrations of military prowess, and it makes sense, it was just too awkward of a tableau given that the last time that this number of military troops were such assembled was to fire upon crowds of its citizens. It was very weird and I found myself taking side-long glances at them and speculating as to whether their weapons were loaded and whether the APPO crowds would be out, and what would be the visual if not actual confrontation… plus I just learned the national anthem in which Mexicans are urged to rise-up fighting should a foreigner put a foot on her land (I joke, I find it ironic though given the recent expropriations by foreign corporations).

We found a spot on a side street as the surrounding area was literally filled with all branches of the military and waited and waited and waited. I of course was staring fascinated at the Marines (?) in front of me, wondering when and where they had been most recently deployed and the weirdness of seeing them (literally and symbolically in one sense) occupy the city center as the army (as in the US) is forbidden from deploying within the country. And while yes, context is everything, I couldn’t/ can’t look at these pictures without the referent of these exact same images illustrating the State’s power over its citizens all too recently. I wasn’t in the place to do interviews to satisfy my curiousity, but I wonder if the relative paucity of applause reflected the thin crowd’s similar ambivalence.
It was also interesting that while Mexico’s armed forced are gender integrated, those units are marked separately,
we saw the women’s military nurses and then the men, etc.
As they paraded in front of us in strict formations, there were demonstrations that to me seemed sometimes farcical, like the emergency response team riding in an open truck with their lifejackets on,
the forest firefighters with their shovels, or my favorite, the transito cops with their flat bedded tow truck (I didn’t get a picture).
As soon as we could we headed out to avoid the now filled with military units Zocalo, unwilling on my part to see the governor address them, and returned to the rest of the city where independence day was an opportunity to spend time nursing hangovers, with family, and indulging in the visual trappings of independence day as a nostalgic anti-colonial celebration rather than one unambivalently celebrating the current State status quo.
I’m wondering if my characterization of the party as the “least fun” I’ve gone to yet in Mexico stems from the fact that this is also the first public, national celebration (I’m not sure if the Guelagetza fits this criteria), rather than a local town or specific church celebration. So, rather than a parade of/for a specific community involving giant dolls and bands, this was a nationally ritualized affair with the state army band performing the soundtrack…. But I’m also not sure that’s a useful distinction.For those who don’t follow Mexican news obsessively, my somewhat complicated feelings about being in the midst of a collective expression of emotion that was also heavily militarily managed were evermore heightened when I read that in Morelia (the capital city of Michoacan) two grenades were thrown into the crowd right after the grito and about 10 people were killed. Crowds are always tricky and potentially dangerous, and I think that given the slightly unstable nature of contemporary Mexico, I’m going to avoid any large official gatherings from now on. The ongoing fights and relationships between the police and narcos is fascinating on some levels (in the sense that you can also see people getting to a place of ya basta in which interesting possibilities for change are opened up) and on others purely terrifying.

























